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  Introduction This week we talked about African Interiors, furnishings, and architecture. African design is rooted in the importance of family and cultural identity. Everything in their design has a meaning! It is not just decorated. This era made me consider how design can be multifunctional and symbolic. Objects in this era were not just decorative like western design, but tied to community and status. African design used materials such as wood, mud, ivory, and bone. These materials were locally sourced and required excellent craftsmanship. This made sure the design was tied closely to the community and surrounding environment. Furniture and architecture often reflected social hierarchy, family structure, or spiritual beliefs. All in all, aesthetics were just a minor part of this era. Function and symbolism were equally as important! Favorite Examples Great Mosque of Djenné: Architecture made of mud. It uses wooden beams, also known as toron, for structure. This building is a gr...

Arts and Crafts Period: This week we talked about the Arts and Crafts period. This period took place around 1860-1910. After the Victorian period, it emerged as a result of frustration from designers after the Victorian era. The arts and crafts movement is heavily based on ideals and not excess, as well as a focus on usefulness and beauty. Designers felt the need to “reset” after the Victorian period, as it got a little chaotic. I really liked the comparison slide in the slideshow to show how the Victorian era differed from the Arts and Crafts era.  Favorite Examples: Red House : designed by Philip Webb for William Morris. It has exposed brick and simple white interiors. It's a really good example of honesty in materials and construction! You can see the visible hardware on the exterior Morris Chair : adjustable reclining chair, plain leather or velvet upholstery. Good example of functionality and comfort over decoration.  Glasgow School of Art: designed by Charles Rennie Ma...